A story is a living thing. People sometimes don’t understand that. They don’t understand the way stories are born, that they grow up and grow old and die slowly or all at once. They have never been to my homeland and could never have seen stories breeding and multiplying. We watch this happen as if we could see destinies woven into strands of DNA, little cells that twist and twine into something new.
I was twelve years old when I got my first story. It was born during sentencing season when ideas are blooming and the stories are suddenly something from nothing. I named it – I can’t tell you the name now though – and I took it home with me. I fed it from a little bottle and I wrapped it in a blanket. I slept curled around it for weeks until it was too big to fit in my bed. It grew quickly, my story. It was from a common and vigorous breed, but I loved it as if it was new and like nothing told before.
Most stories are old stories. Old breeds, rather. The strains of story have gone back generations, millennia. We recognize the shapes of their bodies. The curves and shines of their faces are familiar to us. We tell them again and again, in new forms. Some of these stories are old and tired, breeds that perhaps should have died out long ago. Most of them are well-loved, for all that.
My first story was one of these. Of course my parents would never have trusted twelve-year-old me with a rare breed. I didn’t care, though. I’d grown up in a family of tellers, and I told my story as if it were special. Children are often the best storytellers for that reason. That is, they love stories for themselves, however overtold they are. Children haven’t learned yet to scoff at the faded strains of story.
Stories are something like pets. They find tellers they like, and they hang around wagging their tales or brushing against legs until they are stroked into complaisance. Some people sort of collect stories, amassing all sorts of different kinds. Some people just tell the same story over and over again, or they trail a pack of stories that all look alike. I guess they find comfort in uniformity. Sometimes, if you look closely enough, you can see that stories have little notches or curves that make them distinct, despite their similar shapes. Sometimes, though, you look at a story bedecked and embellished to find that under all that it’s the same as the one next to it.
I guess the point is that you never really know. I raised my first story and told it out into the world, whispering it into an ear, sending it on its own to find its way. I’ve had countless stories since then. I’m a decent teller. It’s a lovely thing to watch, a story that gets to where it’s meant to be. They fill the world, like shadows, even when you can’t see them in the dark. They know when they’ve gotten to the right place. I like see them scamper or slink or swagger away from my window, where I sit with a couple of new tales and, perhaps, a book.