“What are you working on now, sweetheart?”
“Oh,” said the girl. “I’m just starting something new. I’m not sure. Probably just another ordinary old bit like the last, and it’ll all look the same.” Her fingers moved over the thread, twisting it in a practiced motion as the whorls and tangles of wool smoothed in her hands. They coiled around the bobbin in a perfect circle that grew and swelled as she spun.
The mother moved closer and looked over her shoulder. With her came the scent of baking bread and a comforting warmth. When she spoke, her voice was a note below shrill. “Don’t say that, dear. Everything you make is lovely, you know that. You mustn’t underestimate nor scorn the thing created.” She held the last skein of just-spun yarn, and without looking at what she did she worked loops, knots and tangles. The fabric jumped and spread from her hands like cold water puddling on stone. It reached with tentative out from itself and then pushed out until it pooled. Its surface held designs, cables and bobbles, twists and twirls and sprays of thread. Her fingers flashed too quickly to see.
The grandmother, in her rocking chair in the corner, chuckled. She was bent over the fabric in her lap, but one elbow rested on the television remote. In a cracked low voice, she said, “Now, child, don’t pay any mind to her. She gets off spinning stories and you’ll forget to spin thread. The thing created, such as she may say. You just keep going with the creation and it’ll figure itself out.”
The house fell silent but for the mutter of the television. The three watched a reporter appear on the screen, microphone poised, waiting for the signal to speak. The woman on the television resettled her blond bob, smiled, and started to talk. The family was still, eyes intent, fingers busy. After a few minutes they bent again to spin and knot and snip. Eventually the mother murmured, “What a shame, that poor boy from down the block, what’s his name? Car crash. Terrible.”
“Oh no,” said the girl. She put her hand over her mouth, leaving the other to twirl tufts of wool lazily over her knees. “Sam? Died?” The mother leaned to her and pressed a kiss onto her forehead.
“Yes,” said the old woman, absently, her face hidden in the shadow of her hunch. “I did that one last week, I remember.” She jerked at the mess in her hands and, with a sharp scrap of sound, tugged a jumble of thread loose. She cast it onto the floor where it sprawled, a cloud of woven wool on the bleached floorboards. “People dying all over the place, there’s a genocide. And car crashes, famine and sickness and accidental falls from eighteenth-story windows. Keeps a body busy, it does.” Neither of the others answered her, and the babble of the television was the only sound for a while.
When the sun began to lower and the light was left in little stretched squares on the wall, the mother bustled behind a counter. She filled the kettle and set it on the stove, all with one hand while her other twisted thread through loops and pulled bits tight and tied. Before long it began to whistle. The shriek of it started, small and thin. It grew until it screeched enough to fill the whole house, and the mother pushed herself out of the chair again and started for the stove.
“Darling,” said the old woman from her corner, her voice high and peevish. “Get that, would you? Nobody likes a nasty thing like that.”
The mother lunged for the kettle and shifted it aside, and suddenly the wail ceased and there was silence in the house.
The three Fates in the modern world, very interesting concept. I enjoyed it.